Tag Archives: Latino Theatre
Under the guidance of director/choreographer Daniel Jáquez, emerging and intermediate level directors will have a chance to hone their skills in a safe environment.
Are you tired of waiting for a chance to work on your craft? Are you looking for an forum to show your peers what you are working on? Are there actors in Seattle you have been wanting to work with? Is there a play or performance you have been wanting to delve into? This is an opportunity to work on the staging of a play or scene you have in mind with actors of your choice.
Directors will bring in 5 – 8 minutes of material previously rehearsed. If there is text, actors must be off book. 2 – 3 person scenes maximum. No self-direction.
Design elements must be used including lights and music (during or between scenes). eSe Teatro will provide a CD player, a clip light with a few basic gel colors, chairs and a table. Actors can bring in anything they feel is necessary to tell the story of the scene as they see it.
In this Lab setting renowned director Daniel Jáquez will help you evaluate your work in terms of communication with actors, focus, artistic intent, point of view and other key directorial elements. In that process of working on your feet, changes will be made and incorporated into the work. You might be asked to consider spacing, more interesting staging and other creative and aesthetic solutions. All directors will present their work at least one day. Their actors must be present.
Directors must send the script to Daniel Jaquez via firstname.lastname@example.org at least one week prior. This gives Daniel a chance to study each director’s script.
Class size: 8 Directors
Something Borrowed, Something New–Adaptation is a marriage of ideas with a rebirth of style. Using the classical script as a path, writers, directors and actors will tease out and explore the important issues of a chosen play as a group. Participants will learn the tools for creative analysis and improvisation, freeing themselves to find creative solutions.
“As a class, we will explore the classic “The House of Bernarda Alba” by Federico Garcia Lorca. (The play must be read prior to class.) We will begin by digging into the original text, its purpose, structure, ideas, and value in today’s world. We will then reach into our current world and life experiences to come up with parallels that are important to us. Structured improvisations will help to generate dialogue. For the second day of the workshop, participants will write a response (a scene, a monologue)to what was explored. These will be read/ performed in class.
Writers that want to create from improve are strongly encouraged.
This workshop is open to all with the desire to explore and come up with creative solutions. This is not a traditional writing workshop.”
Class size: 8 to 12 participants.
The rehearsal process has been physically intense and rewarding. Having this experience to work with Gisela Cardenas (director) on awaking our impulses as actors has made us explore our potential as an
The relevance of doing a Greek tragedy in today’s reality of gangs and cycles of violence, makes us examen the idea of destiny, fate and free choice in a different light. Do all civilizations as these questions of themselves when violence erupts? I am fascinated when theatre puts us face to face with society. This is the reason we do theatre.
–Rose Cano, Cast: Jocasta in Oedipus El Rey; Artistic Director, eSe Teatro
OEDIPUS EL REY by Luis Alfaro runs Dec 7-16, 2012 with preview showings Dec 5 and 6. Performances at 7:30pm; Sunday matinees at 2pm. Purchase tickets here